Here are some questions I have for discussion:
- As an anthropologist, and when we begin our own research in labs, is it helpful or harmful (or in no way significant) to insert our own biases into the discussion in the way that Gusterson wrote about his research with Sylvia? What purpose does this serve and who does this style of writing benefit?
- Who rights our textbooks? What political purpose of framing physicists as epic, masculine heroes in a romantic epic? Can we talk more about gender in "hard" sciences - and the term "hard" sciences itself?
- In both the Traweek and Good, we see discussion of a training "novices" and shaping them into professionals in their respective fields. We see that they are trained to think in different ways, see the world and the people in it in different ways and are even conditioned to experience anxiety in very specific ways. What opinions do we have on an insulated community creating a bulk of knowledge, which we then transform into "truth" in our wider society? How and why is scientific knowledge held as an objective truth, when we see that there is a constant process of symbolic construction taking place?
I will post my longer weekly reflection later today! - Helen
Jonah: I am interested in your question about the purpose and authors of the textbooks. I have always found it interestingly perplexing that this is the typical portrayal of many scientists, Newton on down to Compton; like pioneers in a world of the unknown. In such a portrayal, a definitely heroic, exploring-the-unknown vibe is given across many areas of the hard, especially, explorative science that contains many masculine overtones. In connection, it seems no coincidence that many people you know about (famous scientists) are men; whether this ideology cultivates men as scientists or whether a random attraction of men and masculine personalities to the hard sciences cultivates this ideology is something I'd like to see explored.
ReplyDeleteHi Jonah! I think another interesting point about the textbooks is the romantic tinge their stories had - an affair between the masculine, heroic pioneer and the feminine science to be explored and discovered. Could this be an attempt to advertise the "adventure" of science, via a archetype of explorers and epics? Are textbook writers innocently trying to make science more appealing to a new generation, but inadvertently propagate this narrative of masculinity? Or is there more purposeful action being taken?
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